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Amplification & PA
Electric
Marshall
Vintage Series
Marshall 1962 Bluesbreaker 30W Valve Combo
After the huge success of the JTM45 amplifier, a 2x12" combo version was released to satisfy popular demand and the now legendary 1962 Combo was born. Again the valve rectification, pioneered by Marshall in the early 1960s, was responsible for helping to achieve the famed output stage compression and sustain exhibited uniquely by both the JTM45 and 1962.
Though tonally similar to a JTM45, the 1962 combo is loaded with two re-issue Celestion 'Greenback' 25 Watt speakers to re-create that classic sixties tone. The 1962 'Bluesbreaker' Combo also comes with the addition of a footswitchable Tremolo effect.
The 1962 received its more familiar nick name, the 'Bluesbreaker', after Eric Clapton used one with John Mayall's Bluesbreakers to record their highly influential 'Beano' album.
Here was one of the earliest and finest examples of a guitarist using the natural tone and overdrive of an amplifier to help form a fundamental ingredient in his own overall sound.
So if you're looking for that sensuous, creamy early Clapton sound, we guarantee that you'll find it in this beautifully re-issued combo.
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Marshall 2245 (JTM45) 30W Valve Head
When Jim Marshall first started manufacturing Marshall amps, back in 1962, the first amp out of the workshop was the JTM45.
This amp instantly became a hit and launched a whole new generation of amazing guitar players. Since then, connoisseurs of tone have searched high and low for original examples of this beautiful amp. Now they need search no more, we have re-issued the JTM45 complete with its full quota of glassy clean tone and fluid warm sustain.
By including GZ34 valve rectification, as found in the original, we have ensured a faithful recreation of the JTM45s glorious sound. The GZ34 rectifier valve interacts with the rest of the valves causing subtle harmonics to shift and smoulder beneath every note you play.
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Marshall 1987 50W Marshall Valve Head
Though the 50 Watt 1987X shares the same front and rear panel features as its big brother, the 1959 SLP, it does have its own distinct personality. Sweet warm singing sounds are packed into every nook and cranny of this great tone machine. As is the case with the 1959SLP, the 1987X has fittings and hardware as true to the originals as humanly possible, thus ensuring that authentic Marshall 'Vintage' look.
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Marshall 1959SLP 100W Valve Head
THIS IS IT! The Marshall 1959SLP 100 Watt Super Lead Plexiglas head of the late '60s/early '70s, as used by countless classic bands, re-issued in all its glory. The 1959SLP has been in production since the late sixties but with various electrical and cosmetic changes happening along the way. The models produced in the late 1960s/early 1970s however, were the ones that most tone gurus regarded as the finest examples.
After much searching we managed to track down two amps from this period that were the finest we'd heard, packed with all the tone and rich velvet overdrive. We gave these two tone monsters to our guitar-playing R&D experts and left them to create a re-issue that was so authentic that we couldn't tell the difference. They succeeded beyond our wildest dreams - the 1959SLP re-issue came to life!
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Marshall JCM800 2203 - 100W Valve Head
The all-valve JCM800 2203 is one of the most highly respected 100 Watt Marshall heads in the company's long history. Evolving from the legendary 100 Watt 'Plexi' head, it was also our first amplifier to feature a Master Volume (MV) control.
The very essence of simplicity, the JCM800 2203 is a one channel, all-valve amp with no reverb or built-in effects. Its foolproof interface, distinctive roar and larger-than-life 'edge' immediately set the standard by which all other rock amps were judged and it remained the 'industry benchmark' throughout the entire 16 years of its production life.
Now it's back by popular demand and we've taken this opportunity to give it a Series Effects Loop that features a true Bypass switch that takes the loop completely out of the circuit, thus ensuring the original tone isn't compromised in any shape or form.
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