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Guitars.co.uk    Effects/Recording/Beats    MXR
M-101 PHASE 90

Provides the classic four stage phasing sound with continuous variable speed control. Phase 90 fixed regeneration level adds intensity and is particularly effective for keyboards.

This device has found its way into many of Eddie Van Halen's recordings, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. This phaser is not just designed for guitars; it works well with bass, keyboards and even vocals and appears in all of these guises on Dweezil Zappa's Z album, 'Music For Pets', which hints it is flexible and hip.

Features: Foot accessible speed control knob. LED on/off indicator. Powered by the Dunlop ECB-02 AC Adapter and/or 9 volt battery.

4-1/4" x 2-1/4" x 1-1/4" 0.9 lbs. Orange
M-101 PHASE 90


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M-109 6 BAND GRAPHIC EQ.
Six bands, each based one octave apart with boost and cut 18 dB on each band. Equalizes complete response range from electric guitar to bass - 100Hz to 3.2kHz. Also great for pickups on acoustic guitars.

The M-109 is very quiet in operation and the positive feel of the sliders means that your chosen frequency curve will keep its shape. In short, the M-109 does its job quietly and efficiently.

Features: Six variable slide pots. Powered by the Dunlop ECB-200 AC Jump and/or one 9volt battery.

4-1/4" x 2-1/4" x 1-1/4" 0.9 lbs. Blue
M-109 6 BAND GRAPHIC EQ.


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M-107 PHASE 100
This is the larger sibling of the Phase 90 and offers a broader range of sounds in a larger unit. In addition to a speed control there is also a four position, rotary switch that allows a choice of four different intensities. The Phase 90 sound lies somewhere in the central two settings with the extremes offering softer and harder versions of the effect. Within these two controls you will find quite a supply of excellent sounds tucked away in this orange casing.

The Phase-100 has ten stages of programmable phase shifting, adjustable intensity for sweep width and notch depth. Controls also provide for regeneration in 2nd and 4th position.

Features: Speed and Intensity foot control knobs. LED on/off indicator. Powered by the Dunlop ECB-03 AC Adapter and/or 9 volt battery.

4-1/4" x 2-1/4" x 1-1/4" 1.8 lbs. Orange
M-107 PHASE 100


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M-133 MICRO AMP
This device adds an amount of gain which is preset using the single control. In terms of the guitar, this unit will you to boost your signal for lead work, for changing between guitars when you wish to match their output (eg, humbucker to single coils) or as a permanent boost in a long effects chain where signal loss an be a problem.

There is a large amount of gain available from the Micro Amp, so take care when using it with clean signals to prevent distortion. Used with restraint, however, this pedal will add a warm dollop of gain to a flagging signal

Features: Gain foot control knob. LED on/off indicator. Powered by the Dunlop ECB-02 AC Adapter and/or 9 volt battery.

4-1/4" x 2-1/4" x 1-1/4"0.9 lbs. White
M-133 MICRO AMP


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M-104 DISTORTION+
Controls can be set to produce low-volume controllable distortion or increased to achieve a warm tube overdrive sound. Set to maximum its pronounced fuzztone combines with long sustain.

Within the central areas of the Output and Distortion controls of the M-104 are some soft, clipped distortions that sound truly authentic, especially with a splash of reverb. Pushing the Distortion level up high produces some classic fuzz tones that are finding their way onto an increasing number of albums, in line with the current retro fascination. This distortion is an enjoyable alternative from LA saturation and thick, British crunch.

The distortion can be tamed by using it with a warm crunch/overdrive sound as a base for some hip Hendrix sounds, and also to emulate Randy Rhoads' favorite deployment of his Distortion+.

Features: Output & fuzz foot control knob. LED on/off indicator. Powered by the Dunlop ECB-02 AC Adapter and/or 9 volt battery.

4-1/4" x 2-1/4" x 1-1/4" 0.9lbs. Yellow
M-104 DISTORTION+


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M-102 DYNA COMP
The signal limiting processor which varies its gain so the output signal remains constant. When combined with sensitivity control this creates infinitely clean sustain.

The M-102 Dyna Comp is a compressor that allows you to set an output level and the sensitivity at which it kicks in. This device can produce that percussive, clicky sound on a clean guitar - the mainstay of 80s pop players - or a mellow sustain for lead work. The M-102 is designed to capture the sound and performance of the originals which it does with an authentic vintage flavor. Rack spotters may have noticed several Dyna Comps in Dave Gilmour's monster system.

Features: Output & sensitivity foot control knobs. LED on/off indicator. Powered by the Dunlop ECB-02 AC Adapter and/or 9 volt battery.
M-102 DYNA COMP


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M-103 BLUE BOX
This unassuming little box shovels out enough low frequencies to frighten a blue whale. It takes your guitar signal, fuzzes it up, then duplicates it two octaves down. You can control the output and also the mix between the dry signal and the effect. Using it 100% wet is quite an experience, but more recognizable sounds will appear as the dry signal increases.

The Blue Box is known for having a somewhat chaotic persona that can make each session of use a totally unique experience as this little monster can make it difficult to guess what is about to emerge from your amp. Trent Reznor uses these for his particular brand of industrial metal. Powered by the Dunlop ECB-02 AC Adapter and/or 9 volt battery.

4-1/4" x 2-1/4" x 1-1/4" 0.9 lbs. Blue
M-103 BLUE BOX


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M-117 FLANGER

The MXR Flanger creates a variety of sounds from dynamic jet plane or cool space effect to short delay, chorus and vibrato. Back off the width to zero to disengage auto-sweep, and use manual to physically position the effect anywhere along the frequency spectrum. Use with guitar, bass, keyboards or vocals. The M117 comes complete with the Dunlop ECB-04 AC Adapter.

4-1/4" x 2-1/4" x 1-1/4" 1.8 lbs. Grey
M-117 FLANGER


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